От себя

Седьмой фильм о команда "Громового ястреба". Предыдущие фильмы:
первый
второй
третий
четвёртый
пятый
шестой

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The stories of a group of Londoners during the German bombing campaign of the British capital during World War II.

(imdb.com)

***

Rita (Saoirse Ronan), her piano-playing father Gerald (musician Paul Weller), and her precocious 9-year-old son George (Elliot Heffernan) live in a working-class neighborhood under siege from German bombs. Afraid for her son's safety, Rita sends him to the country, but George, already tired from bullies on the train and homesick, jumps off the locomotive and begins a harrowing journey home. Meanwhile, Rita is holding her own against the demands of factory work, volunteering at a shelter for her displaced neighbors, and memories of the too-brief time she spent with George's dad before the news of her son's disappearance throws her world further into chaos.

(rogerebert.com)

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   От себя

Шестой фильм о команда "Громового ястреба". Предыдущие фильмы:
первый
второй
третий
четвёртый
пятый

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   От себя

Пятый фильм о команда "Громового ястреба". Предыдущие фильмы:
первый
второй
третий
четвёртый

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   От себя

Четвёртый фильм о команда "Громового ястреба". Предыдущие фильмы:
первый
второй
третий

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   От себя

Третий фильм о команда "Громового ястреба". Первый фильм находится здесь, второй - здесь.

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   От себя

Второй фильм. Первый находится здесь.

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A family that has been haunted by an evil spirit for years. Their safety and their surroundings come into question when one of the children questions if the evil is real.

(imdb.com)

***

From visionary director Alexandre Aja (The Hills Have Eyes, Crawl) and producers of Stranger Things and Arrival comes NEVER LET GO. In this new psychological thriller, as an evil takes over the world beyond their front doorstep, the only protection for a mother, played by Academy Award® Winner Halle Berry (Actress in a Leading Role, 2001 – Monster’s Ball), and her twin sons is their house and their family’s protective bond. Needing to stay connected at all times – even tethering themselves with ropes – they cling to one another, urging each other to never let go. But when one of the boys questions if the evil is real, the ties that bind them together are severed, triggering a terrifying fight for survival.

(youtube.com)

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Dezember 1999. Ich erinnere mich, dass ich inmitten der Angst vor dem Millenium-Bug zum dem Geburtstag von Enrico eingeladen wurde, einem Jungen, der mit seiner Familie in einem alten, abgelegenen Bauernhaus lebte.

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Ma Liang, a wandering boy, met Xuan Xuan, a child who was forgotten by his family and had no one to care for him. The similar fate brought the two lonely teenagers closer and closer. They built a small home together in the wind and rain.

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Ma Chenggang and Chunlan, who have "no oil in their soup and no money in their pockets", ride a donkey to work and have a poor family. Their son Ma Jiye is the only hope who can change their fate.

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   От себя

Сабж - брат главной героини, его тайминг средний.

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A story of six siblings-Azize, Cemo, Zeliha, Fidan, Samet, and Balim-who, after suddenly losing their parents, struggle to stay united and survive. The roots of their tragedy trace back to their parents, Bala and Rifat, whose forbidden love began in a village in Mardin. Rifat, a teacher, falls in love with Bala, but Yavuz, the wealthy and obsessive son of Mardin's richest family, kidnaps her. Despite his abuse, Bala escapes with Rifat, and they build a secluded life in the forest, raising six children in peace. However, Yavuz's revenge shatters their world when he finds and attacks them. Fleeing to Istanbul, the siblings face the dangers of the city while seeking refuge with "Uncle Aslan," their father's trusted friend. The story highlights resilience, as the older siblings are forced to grow up quickly to protect their younger brothers and sisters in the face of overwhelming challenges.

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Ronja tells the tale of a ten-year-old girl born on a stormy night in a mountain fort, surrounded by her parents and a loving band of robbers. Ronja grows to be a strong and active girl, and discovers that the forest is both a beautiful and frightening place inhabited by strange creatures. She befriends the son of her father's rival and so begins the drama of her friendship and family loyalties.

Як Бергенхольц Хенриксон / Jack Bergenholtz Henriksson (р. 2009)




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João tiene 13 años y vive en el Brasil profundo. El vínculo con su padre se ha roto. Él no tiene amigos y las personas lo llaman por el cruel apodo de hijo de Buey. En el umbral de la adolescencia, João quiere escapar de ese lugar, donde parece no haber posibilidades de encajarse. Un día, un pequeño circo llega a la ciudad y João entabla una amistad con el payaso Salsicha, que lo alienta a enfrentar sus miedos. Hijo de Buey arroja luz sobre un Brasil contemporáneo, revelando cómo es tejido el afecto entre los hombres en una sociedad extremadamente machista, en un universo de intolerancia y masculinidad donde urge reinventarse.

(lavanguardia.com)

***

João is 13 years old and lives in the outback of Bahia. The arid landscape dominates everything. The bond between João and his father is broken. He has no friends and the people call him through the cruel nickname 'Son of Ox'. At the threshold of adolescence, João wants to escape from that place, where he does not seem to exist any possibility of he fit in. One day, a small circus arrives in the town. They are looking for a new clown. John is a silent boy, with an ingrained soul, and curiously, this make him the chosen one. At the circus, João develops a friendship with the Shaggy Clown, who encourages him to face his fears. 'Son of Ox' throws light on contemporary Brazil, revealing how the affections between men are woven in an extremely machist society, a universe of masculinity and discrimination, where is urgent to reinvent itself.

(imdb.com)

   От себя

Дебютная работа Аролду Боргеса, ставшего известным после выхода своего следующего фильма - Saudade fez Morada aqui Dentro (2022).

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Saudade Fez Morada Aqui Dentro é um longa dramático dirigido e roteirizado por Haroldo Borges. A trama apresenta o jovem Bruno (Bruno Jeferson) de 15 anos, que mora em um bairro humilde e deve superar as adversidades de uma doença degenerativa que, um dia, o fará ficar cego. Com todas as incertezas da adolescência, amplificadas pela cegueira iminente, o filme converte o destino trágico do seu protagonista em um relato de aprendizagem coletiva. Agora, Bruno tem que aprender com as diferenças a enxergar a vida com outros olhos.

(adorocinema.com)

***

How Bruno, a 15-year-old, growing up in a humble neighbourhood, overcomes the reality of becoming blind.

(imdb.com)

   От себя

Сабж - исполнитель роли Рони - младшего брата главного героя, Ronnaldy Gomes.
Сабжтайм (по секундомеру) - более 13,5% от общей продолжительности фильма и не менее 15%, если учитывать сабжей на размытом заднем фоне и отбросить титры.

Фильм получил главный приз на кинофестивале Мар-дель-Плата в Аргентине в ноябре 2021 года, взяв трофей «Астор», став первым после 1969 года бразильским фильмом, которому это удалось. Примечательно, что помимо официальной награды, картина также получила приз зрительских симпатий.

Юные актеры были набраны из государственных школ Сальвадора (São Salvador da Bahia de Todos os Santos - портовый город в Бразилии) и подготовлены Фатимой Толедо (Fátima Toledo), занимавшейся аналогичной работой для небезызвестного Pixote: A Lei do Mais Fraco.

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"Two Sundays" was part of the BBC's "Play for Today" series and has been described as a companion piece to the previous week's "Plaintiffs and Defendants", also written by Simon Gray and directed by Michael Lindsay-Hogg. In both plays the main characters are named Charles and Peter. They are not the same individuals, although both characters named Charles are schoolteachers, both Peters are married to a woman named Hilary, and in both plays we learn that Charles and Peter were at public school together. In "Two Sundays" the character named Charles is played by Alan Bates and Peter by Dinsdale Landen; in "Plaintiffs and Defendants" it's the other way around. In each play the character played by Alan Bates has a son named Jeremy. Simon Cadell, Rosemary Martin and Georgina Hale all appear in both plays.
In "Two Sundays" there are two storylines, each taking place on a Sunday some twenty or thirty years apart. The contemporary storyline, set in the 1970s, involves two middle-aged couples, Peter and Hilary and Charles and Alison, having Sunday lunch together. The play is much more about the two men than it is their wives, and much of it is taken up with a long after-lunch conversation between them. In the course of this we learn about their present and past relationships, about their jobs (Peter works in publishing, Charles is a teacher) and that Charles has recently written his first novel, not yet published. We also learn that they were at public school together.
The second storyline is set during Charles and Peter's schooldays, probably in the late forties or early fifties. Gray here plays a few games with the viewers. He does not directly tell us that the two schoolboys we see in these scenes are the younger incarnations of Charles and Peter, although we can work this out for ourselves. Nor is there any indication which boy is Charles and which Peter; my guess would be that the shy, asthmatic, music-loving younger boy is Charles and the more self-confident, athletic older boy Peter, but this is neither confirmed nor refuted by the cast list which lists both as simply "boy".
Something which gradually becomes clear is that during their schooldays Charles and Peter shared a "special friendship", public school jargon for a romantic crush on one another, although we are never sure how far their relationship went in physical terms. (The Charles and Peter of "Plaintiffs and Defendants" had a similar relationship during their schooldays, although it takes on less importance in that play). It is also implied that it is this relationship which forms the subject of Charles's manuscript novel. Gray leaves much about the relationship opaque, but not, I think, out of prudery. His opacity on this subject is a deliberate device to reflect both the men's difficulty in coming to terms with their youthful indiscretions and also the way in which British society in the forties and fifties tended to brush the subject of homosexuality under the carpet. There is a very funny scene in which the house master lectures the boys on the dangers of "too much too intense friendship". He knows, of course, that their feelings for one another are sexual, but dares not say this in so many words, and so has to say "friendship" when he really means "love", hoping that they will understand his unspoken meaning.
The main theme of "Two Sundays" is the common one of the way in which youthful innocence- and there is something very innocent about the relationship between the younger Charles and Peter, despite its sexual overtones- gives way to middle-aged experience. Charles may have kept something of his youthful idealism, but Peter (a superb performance from Landen) has long since lost his, and become a bored, cynical, hard-bitten, heavy drinking adulterer.
"Plaintiffs and Defendants" also contains an excellent performance, in that case from Bates. (In that play Landen's character only plays a supporting role, whereas in "Two Sundays" Bates and Landen play roles of equal importance). Nevertheless, of the two plays I would prefer "Two Sundays" which struck me as having a greater thematic unity and a more satisfying resolution. ("Plaintiffs and Defendants" suffers, in my view, from a rather abrupt ending with little connection to what has gone before). Nevertheless, both struck me as examples of the way in which British television in the seventies was able to produce intelligent, thoughtful drama (and not only as part of the "Play for Today" series), something increasingly rare in the more sensationalist television industry of today. 8/10.

   От себя

Параллельно идущие сюжетные линии - двое школьников общаются в английской школе-интернате, и двое взрослых беседуют за жизнь, причём режиссёр никак не обозначает, что это одни и те же персонажи, только разного возраста. Млашенького из школьной пары играет скорее всего Stephen Grover.
Фильм из телеантологии Би-би-си Play for Today, премьерный эфир 21 октября 1975.

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Hot Argentina. A quiet, picturesque peninsula away from Buenos Aires. There, in "Argentine Venice," more than one generation of Russian Old Believers lives, preserving their language, faith and way of life. She is an Old Believer who lives according to the rules of the community. He is a policeman, an emigrant from Russia, who knows no mercy for criminals. She lives in a village, isolated from the outside world. He belongs in an aggressive metropolis. They were not destined to meet, but their paths crossed. Their love was impossible, but it happened. Their lives are threatened by a criminal gang, their love is threatened by the people closest to them.

   От себя

В основе сериала - сюжет фильма "Свидетель" / Witness (1985). Съемки сериала проходили в 2022 году.

Нил Бугаев (р. 18.04.2014)




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The story of five friends - Andrey, Kostya, Yura, Danya and Vitalik - unfolds in parallel in two times - in 2015 and 1996. In the 90s, they were always and in everything together - like five fingers on one hand. They were nicknamed "Fingers". But one gangster clash leads to unexpected consequences almost 20 years later.

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Dora lives on her big farm in Denmark with her 3 no-good stepsons who want to buy the poor neighboring farm for it's huge, secret deposits of gravel. Unexpectedly, the owner's son returns after years at sea and helps his dad with the farm.

(imdb.com)

***

Det frodige Fyn med den skønne natur, hvor de levende hegn omkranser de bølgende kornmarker, ligger Uglegården. Det er den største, rigeste og smukkeste gård i sognet. Den ejes af Enken Dora (Astrid Villaume) og hendes tre voksne stedsønner Karl (Bertel Lauring), Viggo (Baard Owe) og Thomas (Erik Kühnau). De tre brødre hænger sammen som ærtehalm, og terroriserer egnes andre unge. Deres faste tilholdssted er landsbyens kro, hvor alle må finde sig i deres grovheder, ikke mindst servitricen Sara (Karen Wegener), der må stå model til deres grovkornede tilnærmelser. Landsbyens postbud (Helge Kjærulff Schmidt) er kroens daglige gæst. Han er en særegen person, fuld af sladder og viden om sine medmennesker, idet alle kort og breve, som ikke er forsvarligt lukket, bliver læst af ham. kromanden Anders (Kjeld Jacobsen) er ungkarl, fordi, som landposten siger: "han lider af ulykkelig kærlighed til enken Dora, derfor har han aldrig giftet sig". Mosegården er en lille forfalden gård, hvis ejer gamle Christian Thorup (Einer Federspiel) er lænket til en rullestol, mens bedriften bliver passet ad en gammel særling Hans (Christian Arhoff), Husbestyreinden Katrine (Lily Heglund) og drengen Mikkel (Niels Hemmingsen). De tre brødre har fundet ud af, at der, under Mosegårdens magre jorder og høje skrænter, findes grus i store mængder. De øjner chancen for en stor fortjeneste ved at købe gården for en klatsum. En dag tropper de op for at lægge pres på gamle Thorup, men han vil ikke tale med dem, så Hans smider dem ud.
Brødrene har tid til at vente. Gården er belånt til op over skorstenene og Thorups gæld er stor. I sin kvide sender han bud efter sin brodersøn Henrik (Ib Mossin). Da Henrik er kommet og fået snakket med sin Onkel, beslutter han sig for at blive og finde ud af, hvorfor brødrene fra Uglegården er så ivrige efter at erhverve sig Mosegården. Henriks ankomst er en streg i regningen for Brødrene. Viggo er småforelsket i købmandens Birthe (Anne Louise Lefevre). Købmanden øjner et godt parti for sin datter, så han tvinger hende til at modtage en invitation fra Viggo til at deltage i landsbyens fest. Her træffer hun Henrik. Sammen smutter de bort fra Viggo for at more sig på egen hånd. Viggo bliver rasende og det trækker op til ballade. Brødrene har slået sig sammen med købmand Jespersen (Gunnar Lemvigh), der har et stort økonomisk krav på Christian Thorup. Sammen beslutter de at kræve Mosegården på tvangsauktion, hvis ikke pengene bliver betalt straks. De fejrer på forhånd deres triumf, uden at vide, at købmandens Birthe har lyttet ved døren. Hun skynder sig over til Mosegården, hvor hun fortæller, hvad hun har hørt. Brødrenes grove opførsel overfor Dora bliver en dag for meget for hende. Hun henvender sig til sin gamle ven kromanden Anders for at bede om hans råd. Han giver hende et forslag der letter hende for alle bekymringer og samtidig, på en pæn måde, vil få de tre brødre til frivilligt at forlade gården. Store gravemaskiner ankommer til Mosegården og under Henriks ledelse begynder det store eventyr, der skal gøre Christian Thorup til en holden mand. Henrik starter samtidig sin drøm om en kyllingefårm. Købmanden, der ser hvordan brødrene bliver kørt ud af billedet, og hvordan tingene udvikler sig på Mosegården, skynder sig at sadle om og giver Henrik og Birthe sin velsignelse. En stille aften, på en lille bænk, sidder Henrik og Birthe og ser ud over terrænet. Henrik siger stille: "Hvor er det mærkeligt, at tænke på, at her har folk i mange år slidt for det daglige brød, uden at vide, at der under skrænterne gemte sig store værdier.

(danskefilm.dk)

   От себя

Сабжтайм (по секундомеру) - 10,5% от общей продолжительности фильма.

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Samba Traore returns to his village flush with funds. Soon enough he manages to charm the beautiful Saratou into marrying him and, along with another friend, builds the first bar their village has ever seen. But his conscience keeps nagging him and the police are on the lookout for the "gas station murderer."

   От себя

Сабж - сынок пассии главгероя, один из основных действующих лиц. Фильм получил Серебряного Медведя на Берлинском кинофестивале'1993.

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Oversergent Vældegård (Carl Ottosen) har fået 2 nye soldater menig 614 (Willy Rathnov) og menig 615 (Poul Bundgaard), de har besvær med, at forstå Vældegårds ordre, men han betror dem, at de på meget kort tid har glemt deres mor, men ham vil de aldrig glemme. Hjemme på kasernen brillerer vagtkommandøren (Dirch Passer) ved gang på gang, at kyse livet af bomvagten, der dog overrasker ham med slående argumenter. Under en marchtur møder Vældegård og hans soldater en lille dreng Nat (Nat Russel jun.), som de tager med til kasernen, så han kan lege med oberstens barnebarn, (Anja Owe) Nat har en noget speciel kæledyr - bjørnen Fido. Vældegård opdager ikke Fido, den jager til gengæld drengene op i et træ, og da Vældegård finder dem, be'r han om en forklaring, panisk taler alle i munden på hinanden. Nat er søn af en cirkusdirektør (Ole Monty), og han opholder sig i en børnelejr, for børn fra hele verden, Knud betages af en af de kvindlige ledere, Fido dukker op, Vældegård vil ikke have den med, men Nat får sin vilje.
Ved fælles hjælp får de Fido smuglet ind på kasernen, men hvordan skaffer de mad til den? deres anstrængelser bringer dem i vanskelige situationer. Uden at soldaterne ved af det, indgår 2 konkurrerende oberster (Karl Stegger) og (Ove Sprogøe) rød hold - et væddemål om 3 flasker Wiskey, om hvem der har de bedste soldater, det skal afgøres ved en storstilet øvelse. Men bjørnen bringer forvirring, Vældegård bliver idømt kvarterarrest, p.g.a. Fido, men da Obersten (Karl Stegger) finder Fido hos sit barnebarn, bliver han frigivet og Vældegård overtager igen gruppen. Ved et uheld får rød hold, at vide at Vældegård leder gruppen, så rød holds leder (Ove Sprogøe) giver ordre om, at holde øje med ham med den store næse, hvilket der får Vældegård til, at tage sine forholdsregler. For at komme forbi fjendens vagter må drengene klæde sig i kvindeklæder.
Under øvelsen bølger kampen frem og tilbage mellem de to hold, indtil Fido træder hjælpende til.

(danskefilm.dk)

***

A comedy about life among a group of Danish soldiers stationed in the country-side with a real bear and a small boy joining them.

(imdb.com)

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   От себя

Сабжтайм (по секундомеру) - 15% от общей продолжительности фильма.

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Georg und Sophie lernen sich kennen und lieben, als bei der hochschwangereren Sophie gerade die Wehen einsetzen. Georg wird für den neugeborenen Jakob wie selbstverständlich zum Vater. Die zusammengesetzte Familie hat mit den üblichen Problemen moderner Elternschaft zu kämpfen: Wer darf arbeiten, wer kümmert sich um‘s Kind?
Wie viel Freiheit darf noch sein, wie viel Selbstaufgabe muss sein? Und wo bleibt bei alledem die Leidenschaft? Ein paar Jahre später sind sie getrennt. Jakob ist sechs Jahre alt und Georg und Sophie kämpfen verbissen um das Sorgerecht für ihren Sohn. Doch dann fängt ausgerechnet Sophies neuer Freund Fred an, zwischen den Fronten zu vermitteln.

(film.at)

***

Sophie and Georg once loved each other, but they are now split up. A laconic portrait of a modern patchwork family that plays out before a front door in Berlin. A serious comedy about separation, interspersed with Schlager music.

(imdb.com)

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   От себя

Сабжтайм (по секундомеру) - 14% от общей продолжительности фильма. Сабж принимает участие с 39 минуты и до конца фильма.

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(Nike)

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Yael is at the beginning of puberty and is searching for his own identity between his virile big brother and his queer best friend Aaron. In the process, he not only questions himself, but also endangers his friendship with Aaron.

   Информация о релизе

Перевод английских субтитров - Nike (вариант 1); Михаил Васильев (вариант 2)
Редакция перевода Михаила Васильева по немецкому исходнику - Екатерина Жилина
Озвучание - Алексей Воленко
Сведение звука, организация перевода и озвучания - serega

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To protect his family, a teenage boy musters incredible courage to confront his greatest fear, manifested in physical form before him as a terrifying spirit known only as - The Beast.

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Alba llega a Rodas, un pequeño pueblo marinero, para pasar el verano en casa de su tía Helena. Piensa que será un verano aburrido y solitario... No puede estar más equivocada.
Pronto hará nuevos y maravillosos amigos: Lucas, Sali, Olivia y Nil. Juntos harán un descubrimiento extraordinario: encontrarán una moneda de oro de la época romana. Este hallazgo los llevará tras la pista de un tesoro.

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Alice, a young mother, sacrifices her dreams to care for her autistic son, Peter. On his first day of primary school, Alice feels overwhelmed and inferior to other mothers, leading her to hide Peter's disability. She rejects the headmistress's offer of an educational worker. In her darkest moment, Peter gives Alice his red pinwheel and says "blow." Entering his simple world, Alice realises Peter just wants to be himself despite his challenges.

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Alice, una giovane madre, sacrifica i suoi sogni per prendersi cura del figlio autistico, Peter. Il primo giorno di scuola elementare, Alice si sente sopraffatta e inferiore alle altre madri, arrivando a nascondere la disabilità di Peter. Rifiuta l’offerta della direttrice di una assistente educativa. Nel suo momento più buio, Peter le dà la sua girandola rossa e le dice "soffia". Entrando nel suo mondo semplice, Alice capisce che Peter vuole solo essere sé stesso nonostante le sue difficoltà.

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Скриншоты (WEB-Rip 1.10 GB оrig.)

   Plot

After an accident, ten-year-old Ilya falls into a coma. His father Andrey is on duty at his son's bedside in the hospital, but the attending physician reports that the boy will have to be disconnected from the life support apparatus - this is the law. Andrey offers money, tries to convince the doctor that he needs to wait, but it's all to no avail. Then Andrey brings a gurney with Ilya connected to the machine into the first ward he comes across, barricades the door, and, threatening with a gun, takes the doctor and nurse hostage. Andrey gave his son a man's word that he would save him, and he would keep his word.

   От себя

Марк Андреасян - сын режиссёра Сарика Андреасяна. Фильм основан на реальной истории, произошедшей в США в 2015 году. Американец Джон Пикеринг, узнав о намерении докторов отключить его сына от системы жизнеобеспечения, забаррикадировался в палате и сделал все возможное, чтобы продлить ему жизнь хотя бы на несколько часов. Прямо во время противостояния с полицией его 27-летний сын начал подавать признаки жизни:
https://pikabu.ru/story/neobyichnaya_istoriya_ob_ottsovskom_podvige_3942354
Еще на портале есть фильм Джон Кью / John Q (2002) с похожим сюжетом.

Марк Андреасян (р. 21.01.2013)




Скриншоты (WEB-DL 4.15 GB)

Скриншоты (WEB-Rip 798 МB оrig.)